Regina Silvers, Visual Artist and Art Organizer
I draw, paint, and have been exhibiting my work since the ‘70s. Right now I’m engrossed in the most exciting art project of my career: The Granny Peace Brigade series.
In 2005 a friend of mine was arrested, along with a small group of older women– all members of various Peace groups like Code Pink and the Gray Panthers— for demonstrating at the Army Recruitment station in Times Square. They were cuffed, jailed, and eventually tried and acquitted. Out of this experience they formed The Granny Peace Brigade. I’ve been a supporter and ardent admirer since then.
I drew them during their trial and later began to photograph them while I marched and demonstrated with them. After a while, I began using these photos as source material for new work.
Much of my previous work of the past 20-odd years had focused on nature-based motifs. Working from sketches made while hiking upstate NY, I created large close-ups of the rocks, weeds, waterfalls, and woodlands, drawing attention to their “ordinary” beauty and vitality. At the same time – initially because I am devoted to drawing the figure – I created the ”Placard” series: paintings and drawings derived from images of protesters I found in newspapers. This however was a different matter.
As an older woman, and an activist since the days I marched with the Women Strike for Peace against the Vietnam War, this project is more personal and vital. It gives me an opportunity to merge my aesthetic, political and social concerns, through personally meaningful, timely, subject matter. It’s been challenging and exhilarating.
It’s been said that “…the eye witnesses, the hand records.” As an artist I am following a long roster of artists who “bear witness” (think Goya, Kathe Kollwitz, Picasso, Ben Shahn, Leon Golub). While I’m not intent on painting a political polemic, I do want to pay homage to these feisty peace activists, and transmit their message that “Democracy is not a Spectator Sport”.
As I participate in documenting this piece of our history, I show, close-up, what it’s like to be in the midst of the energetic Grannies, visually expressing the view that older women are concerned, and can have an active voice in our society.
To make a piece of art that conveys the energy, immediacy, and spirit of the narrative, I work quickly, making many large pieces for each motif, varying the composition, the approach, and the materials. The works range from 20 x 30” to 36 x 72”, in pastel, charcoal, acrylic, and/or oil paint. Some become finished “products”, others remain studies. I feel privileged to be able to hone my approach to making art while visually expressing something of such importance to me, and hopefully supporting the efforts of these heroic women.
I will be exhibiting this work in a one-person exhibition at Saint Peter’s Church (Citicorp) NYC in May, 2013.
Regina Silvers has been involved with fine art for her whole adult life- as a visual artist and an art organizer. Originally trained as a NYC art teacher, her varied career includes jewelry designer, gallery director, curator, art consultant, museum publicity/advertising manager, and always, practicing artist.
She was a founder and President of TOAST, the TriBeCa Open Artist Studio Tour (2000 to 2010), and co-founder and Director of the Gallery at Hastings on Hudson (1976-84).
Silvers has maintained a studio in TriBeCa for more than 20 years and, until recently, a studio in Woodstock, NY. Her work appears in corporate and private collections throughout the United States, and she has participated in more than 40 exhibitions nationally.